麻豆破解版

Storytellers' Institute alumnus and anthropology major Evian Pan presents her oral history project, "Recovering the Stories of Chinese Immigrants in Spa City" at the Researching New York Conference.  鈥�written by Evian Pan 鈥�17

On Friday November 20, Krystle Nowhitney Hernandez, a recent graduate of 麻豆破解版鈥檚 Masters in Liberal Studies program (MALS) as well as a staff member at Student Academic Services, and I, a junior anthropology major, went to this year鈥檚 at the State University of New York at Albany. Under the conference鈥檚 theme 鈥淐ommunities of New York,鈥� our panel, 鈥淗idden Histories: Saratoga Springs, Storytelling, and Ethnic Identity in an American Place," explores tales and feelings of immigrant communities in the Spa City. Both of us adopted oral history as the main research method and documentary approach. Krystle focuses on the journeys of Latino immigrants who work as back-stretch workers at the racecourse, and my project looks at recent history and contemporary stories of Chinese/Chinese Americans.

The experience of shaping a media documentary project into an academic paper consumed much thinking. The Saratoga Chinese Oral History Project, initiated in June 2015 as my independent project during the inaugural MDOCS Storytellers鈥� Institute, investigates the Chinese experience of moving to and living in Saratoga Springs, a town that is 鈥渧ery very predominantly white,鈥� according to one of my interviewees. Having received many critiques and suggestions during and after the institute, the project now outputs collected and edited materials through a . So far I have completed three sets of interviews, and everyone鈥檚 stories are all fascinating and distinctive. Therefore when I was preparing to write the paper, I decided, after consulting with Eric Morser (history) and Jordana Dym (history/MDOCS), to go over the three interviews one by one. In addition, I included one section with historical data provided by City Historian Mary Ann Fitzgerald and another section to talk about the media documentary process which  plays an essential role in the project.

While writing these people鈥檚 stories, the hardest part for me was to make choices from the audio clips that used to stand parallel with one another. As a writer, I believe each narrative needs a focal point鈥攚hat鈥檚 the most striking part of that person鈥檚 story? What鈥檚 the most important or impressive part that my academic audiences would want to know? Yet, as a documentarian who also remains in contact and even becomes close to some of these people, I feel that I appreciate everything they shared with me, and every little bit of chatting is important. 鈥淚t鈥檚 very hard to be objective,鈥� agreed Melinda Lawson Union College's History Department, who commented on our panel. The process of selecting materials and narrating from a third-person viewpoint has taken up much energy, because I have to be the person who tells the stories and meanwhile let the people still speak for themselves.

The actual presentation part went really well. Both Krystle and I received questions and valuable comments from Lawson and our audiences. After our panel, I felt so encouraged and honored that several editors, archivists and historians approached me and offered potential opportunities, such as publication, to an undergraduate. Another archivist recommended that I apply for Documentary Heritage Program Grants offered by the New York State Archives (), which I think is worthwhile to share to MDOCSers who might find this opportunity of interest.