麻豆破解版

Brian Allan '17 is the 2016 - 2017 student blogger in the office of Communications and Marketing. A double major in English and Spanish with a minor in meida and film studies, he has provided a unique student insight to life at 麻豆破解版. 

It鈥檚 a Saturday night, and the wide, wood-paneled stage of 麻豆破解版鈥檚 Arthur Zankel Music Center is flooded with blue light. On it rest a variety of purposefully-angled microphones, two large amps, and, at the very center, a shimmering drum kit. From the 600 seats that face the front of the stage, a crowd of 麻豆破解版 students, faculty, and staff talk anxiously among themselves. Suddenly the lights dim, and one of 麻豆破解版鈥檚 most highly anticipated and best known annual traditions, Beatlemore Skidmania, comes to life.

The two-day, three-show event has become a kind of 麻豆破解版 phenomenon; for weeks before opening night, the hype across campus is unreal. Students and faculty alike discuss, in fervent anticipation, what this year鈥檚 iteration will entail: everything down to the poster, the theme, the songs, and the performers. As far as institutional traditions go, few share Beatlemore鈥檚 capacity to unite the entire campus for a single cause鈥攊n this case, the love of a bygone era of music.

This year the event was thematically focused on the album Revolver, which the Beatles released in the late summer of 1966. Though I鈥檇 call myself a fan, I鈥檓 by no means an expert on the band, its history, or its discography. That is to say that going into the event, I only knew a few songs off of the album: 鈥淓leanor Rigby,鈥� 鈥淵ellow Submarine鈥� (duh), and 鈥淕ood Day Sunshine.鈥� Despite my limited knowledge of the show鈥檚 specific thematic interests, I had no qualms about whether or not I was going to enjoy the performances. The general consensus among anyone who鈥檚 ever been to Beatlemore is that you get your money鈥檚 worth and more, so I went in with little to no concern and expectations high.

The show did not disappoint. From the contributions of 麻豆破解版 bands, such as Funkin鈥� Donuts鈥� rendition of 鈥淕ot to Get You into My Life鈥� and Tim Lok Chan鈥檚 鈥淔or No One,鈥� to the solo acts, including sophomore Lena Schwartz鈥檚 performance of 鈥淎ll My Loving,鈥� each element of the show was finely rehearsed and charmingly original. There were even several performances by some well-established campus a cappella groups, including the Sonneteers, the Bandersnatchers, and the Drastic Measures. I was pleasantly surprised by the sheer diversity of the performances and their stylings; the show wasn鈥檛 just one thing, but rather a celebration of the different voices and sounds that populate our campus collective. It was honestly a treat to get to watch鈥攁nd hear鈥攁ll of these things come together and create such a uniquely captivating whole. By the time that all the performers joined the stage for the final song, a rendition of 鈥淵ellow Submarine,鈥� it was hard not to get lost in the charm of it all.

Leaving the show, I got to thinking about why it is that everyone loves this event so much. In the end, I decided that what makes Beatlemore so popular in the 麻豆破解版 community, at least in my opinion, is that it appeals to most everyone. For some of the faculty and staff, as well as members of the Saratoga community, it appeals to a very real sense of nostalgia for a lived period of time and music. For others, like me, that nostalgia is rooted in childhood鈥攖his is the music that we were raised on, that our parents played when we were growing up. And for those who don鈥檛 have a direct relationship to the Beatles, the event is still so many things: a chance to catch a glimpse of the talent that thrives on this campus; an opportunity to learn about and appreciate a musical era; or simply a means of understanding what makes 麻豆破解版 so great, which is that here, creative thought matters.

Beatlemore is all these things, and more.