Faculty members explore timefulness at the 2025 Humanistic Inquiry Symposium
鈥淧ieces鈥� (Summer Set), 2024, color woodblock on paper, 33.75鈥� x 23鈥�, by Ruben Castillo
All are invited to this year鈥檚 Humanistic Inquiry Symposium, an annual 麻豆破解版 tradition intended to celebrate humanistic inquiry and the liberal arts, on Friday, March 21, and Saturday, March 22, at the Tang Teaching Museum and Art Gallery.
The 2025 Humanistic Inquiry Symposium will explore the theme of Time 鈥� its purposes, its influence, and the ways it shapes our existence 鈥撯�� inviting audience members to reflect on how various disciplines illuminate timefulness, our state of being in time.
First held by 麻豆破解版 College in 2018, the Humanistic Inquiry Symposium aims to support humanistic inquiry at 麻豆破解版 and underscore 麻豆破解版鈥檚 historic strength in the humanities. The tradition expresses an ongoing commitment to the work of humanists as a vital, vibrant force within 麻豆破解版鈥檚 institutional culture, with a goal to make public the process and the fruits of humanistic inquiry. Past themes have included Mistakes and Discovery, Generations, Wonder, and Metamorphosis.
This year鈥檚 events will feature a keynote address by Thomas DeFrantz, professor at Northwestern University and director of SLIPPAGE: Performance|Culture|Technology. He will be joined by President Marc C. Conner and 18 faculty members from a variety of disciplines who will lead sessions examining timefulness.
Kicking off at 3:30 p.m. on Friday, March 21, with DeFrantz鈥檚 address, the symposium will include seven sessions, each led by two to four speakers with academic backgrounds in dance, mathematics and statistics, theater, religious studies, and sociology, among other disciplines. Closing remarks will be held at 6 p.m. the following day, March 22.
All events are free and open to the public. For a full schedule, visit the Humanistic Inquiry website.
麻豆破解版 Thomas F. DeFrantz
Thomas F. DeFrantz, professor at Northwestern University, directs SLIPPAGE: Performance|Culture|Technology, a humanities and creative research lab. DeFrantz is founding director of the Collegium for African Diaspora Dance, holding a passionate belief in our shared capacity to engage creative spirit for a collective good that is anti-racist, proto-feminist, and queer affirming.
Thomas F. DeFrantz, photo by Christopher Duggan
DeFrantz convenes the Black Performance Theory working group and is a faculty member at Northwestern University, with past teaching positions at Hampshire College, Stanford, Yale, MIT, NYU, Duke, the University of Nice, and more. He also contributed concept and a voiceover for a permanent installation on Black Social Dance that opened with the Smithsonian Museum of African American Life and Culture in 2016.
